nonconformist art? In a thoughtful way, the Zimmerli addressed this question, too, with its exhibition The Communist Guide to New York, featuring photos by Yevgeniy Fiks of New York buildings, conspicuously without public plaques or other honors, which played important roles in the development of the communist movement in the last century. Assemblage artist Anatoly Brusilovsky, for example, caught flak for his work Two Ideas, which juxtaposes the Russian Orthodox cross with the Yiddish Magen Dovid. during the same period, and the Soviets were specifically interested in redacting works which did not fit the mold in terms of sexual or religious content. In many ways, the style is not at all opposed, aesthetically, to Norman Rockwell works or other art that was popular in the U.S. It seems that being "genially rumpled," and, therefore, somewhat unassuming, helped Norton Dodge to escape the severe glances of Soviet authorities, none of whom managed to prevent the Dodges from amassing a collection of 17,300 works, with an estimated value of over $30 million, which didn't sufficiently conform to the Soviet Union's strict standard of Socialist Realism. Socialist Realism, influenced by David and previous revolutionary art movements, filled our souls with repetitive images of washboard-abbed, heroic young worker men and equally militant women and children. One of the Zimmerli's many fascinating assets is its Dodge Collection of nonconformist Soviet art, spirited away from the cryptic world behind the Iron Curtain in the cold days of the Cold War by economics professor Norton Dodge and his wife, Nancy. ![]() Sorry to disappoint you, but these Voorheeses are not related to the Voorheeses in the Friday the 13th franchise, the Marvel supervillain, or the characters from "The Unbreakable Kimmy Schmidt." Jane Voorhees Zimmerli, a widow, raised the two boys during the Great Depression, and Ralph, an investor and philanthropist, graduated from Rutgers decades before renaming the museum. The name of the Zimmerli Art Museum, a part of Rutgers University, with its collection of over 60,000 works, reflects the sweetness of the love of two sons, the late Ralph and Alan Voorhees, for their mother.
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